Dignum et justum est – A Fitting Tribute to Bill Mahrt

In early November, a hundred participants gathered to fête the life and work of Dr. William Mahrt. The Catholic Institute of Sacred Music was proud to co-sponsor a three-day conference of scholars and practitioners, inspired by the scholar and practitioner Dr. William Mahrt. About thirty wonderful papers and recitals adorned the liturgical structure (sung Lauds, Mass, and Vespers) of the conference, in emulation of the six decades of Dr. Mahrt’s example at Stanford University and in the Church Music Association of America.

Now, we look forward to publishing a festschrift in honor of Dr. Mahrt through the CMAA’s publishing house. Stay tuned for an announcement about CISM’s first publication!

In the meantime, enjoy a selection of pictures from the conference here.

And catch the keynote by Dr. Kerry McCarthy that formed part of our Public Lecture and Concert series.

A Full House!

We are grateful to the hundreds and hundreds of guests who came to the first Advent & Christmas concert of the St. Patrick’s Seminary Schola Cantorum. It was a beautiful event, adorned through the hard work of the seminarians who sang well and welcomed the community into our home with Christ-like hospitality.

Check out the program here.

Catch a few highlights here.

A whole term of workshops!

Looking for some refreshers on your singing or teaching of chant? We’ve got you covered with the fall workshop series, online via Zoom.

Registration is available here.

Gregorian Psalm Tones

Mondays, September 25 & October 2, 5:30 – 6:30 p.m., PDT

Join us for two Monday evenings as Dr. Donelson-Nowicka explains how to chant the Psalms according to the Gregorian psalm tones.

You’ll study the anatomy of a psalm tone, the relationship between the tone and the mode, as well as the relationship between the tone and the antiphon. The workshop will focus on how to point the text (put the correct notes on the correct syllables) according to the required accentuation patterns and preparatory syllables. Dynamics and tempo considerations for the phrasing will also be addressed. Sessions will present the texts sung in Latin.

Techniques for Teaching Gregorian Chant to Your Parish Choir

Mondays, October 16 and 23, 5:30 – 6:30 p.m., PDT

Are you looking to refresh your pedagogical techniques so that your parish choir feels confident and enthusiastic about singing Gregorian chant? Join Dr. Donelson-Nowicka as she covers different teaching techniques to start a new chant with your choir, help them feel more confident on the melodic intervals in the melody, and have a strong sense of the phrasing in the piece.

Solfège 101: Solfège Basics & How to Use It to Learn and Teach Basic Chants

Mondays, October 30, November 6, and 13, 5:30 – 6:30 p.m., PDT/PST

Designed and paced for absolute beginners to solfège, and presenting teaching models for those music directors who teach chant novices, this series will cover the basics of solfège, focusing on major-mode patterns familiar to the modern ear. Attendees will learn drills for improving their ability to use the solfège syllables to sight-sing and audiate (hear the music in their minds). Exercises will be applied in easy chants within the repertoire that are accessible to new singers of chant.

Fall 2023 Public Lecture and Concert Series Announced

We hope you can join us for what promises to be an exciting season.

Two fantastic scholars will kick things off with lectures, and our first-ever Advent and Christmas concert of the St. Patrick’s Seminary Schola Cantorum will wrap up the fall term.

RSVP for admission to the lectures via our Eventbrite page. A link to admission to the concert coming soon!

An Amazing First Summer!

From Our Director’s Desk

Dear friends of the Catholic Institute of Sacred Music,

It’s been an amazing first summer!

Almost 100 students joined us from around the country, Canada, Japan, and Mozambique, as well as from the Bay Area here in California.

  • 28 students in our auditioned, mixed-voice choir sang for Lauds, Mass, and Vespers daily in our Choral Institute, accompanied by improvisations at Mass by Organ Improvisation students mentored by Dr. Christoph Tietze.
  • Dr. Frank La Rocca’s Composition students premiered short works for parish choirs, sung by the students of the Choral Institute
  • Students presented strategic plans for their parish music programs they produced in Parish Sacred Music Program Management
  • Introduction to Chant students sang Lauds daily, as well as a Votive Mass of the Most Precious Blood of Jesus, all while preparing to sing and conduct three chants for their final exams with Dr. Donelson-Nowicka
  • Chironomy students each prepared and directed a complete chanted Mass Ordinary and Proper for their final exams
  • Gregorian Rhythm students presented two different interpretations of chants to their class with Dr. Charles Weaver
  • Students in History and Principles of Sacred Music wrapped up over two months of study and discussion, turning in their term papers and final exams
  • After an intensive study of the History of the Roman Rite with Fr. Nicholas Schneider, students turned in a series of concise essays, exercising their scholarly abilities to summarize and synthesize what they learned
  • After a masterful seminar studying and singing Chants of the Divine Office with Dr. William Mahrt, students have turned in their final exams
  • Wrapping up two months of intensive Latin study with one of the finest Latinists in the world (Dr. John Pepino), students demonstrated their knowledge of the language in the Psalms
  • Student teachers, trained in the first level of the Ward Method, gave teaching demonstrations to their fellow students in Dr. Donelson-Nowicka’s class

We can’t wait for next summer!

In the meantime, we hope you’ll be able to join us for in-person and online workshops, lectures, and seminars, as well as our first conference this upcoming November!

Dr. Jennifer Donelson-Nowicka, Director, Catholic Institute of Sacred Music